John cho spike hair11/14/2023 ![]() André was great with the characters, and getting into human motivations. They all brought enthusiasm, but in different ways. I leaned on them as fans, because they had lived that experience. ![]() They’re all such fans of the original anime and tremendously devoted to the original material. Our showrunner, André Nemec, and our two directors this season, Alex Garcia Lopez and Michael Katleman, gave us a great, open, enthusiastic experience on set. It has a zipper, which is good when you have to go to the bathroom, and it requires only one person to put it on: me.Ĭan you talk a bit about your experience working with showrunner André Nemec and directors Alex Garcia Lopez and Michael Katleman? Those are details that really ground me and help me to know who I am on set. There are some flourishes, some secrets between me and Jane - like the belt buckle, which has a wave on it, flowing like water, and the buttons. I would say it's slightly flashy, there's a literal sheen to it. There's a certain attitude to it sleeves rolled up, collar popped, skinny tie, undone shirt. The costume must have helped get into Spike’s shoes - can you talk a bit about crafting Spike’s iconic blue suit with costume designer Jane Holland? You work and work and work, and you just hope that at the end of the day that I look like the Spike fans know and love. The thing that they kept searching for in each fight were moments that would distinguish this action sequence from any other action sequence you'd seen in film or TV the specific Cowboy Bebop personality within these fights. They're also all huge fans of the anime, and each one of these fights was so lovingly created. They were just the best in the world they're such great teachers, very inventive, and allowed us to really play within the set parameters. The team helped me with the character in that regard, and gave me a sense of safety that allowed me to ground the character in physicality. If you know me from Harold & Kumar Go to White Castle, you'd rightly guess that I'm not a master martial artist in real life. Working with stunt coordinator Allan Poppleton and the stunt team was so helpful for me in terms of feeling confident about portraying someone as skilled as Spike Spiegel. ![]() How did you prepare physically for the role of Spike? This show is unlike anything I've personally seen in anime, and now live-action. ![]() I was fascinated by the setup and all the influences they were pulling from. The world is completely unique, completely inventive, funny, and high-stakes. I read the script for the first episode, and I was so impressed by it I said, “I have to look at the source material," so I watched the anime. I first learned about Cowboy Bebop through the very boring route of having it come through my agents, who sent me the script. How did you first learn about the world of Cowboy Bebop? 19 debut, we talked with Cho about the “completely unique” world of Cowboy Bebop, training for his big fight scenes, and paying respect to the source material: “it was scary as hell.” He travels the solar system with his ex-cop partner pursuing the future’s most dangerous bounties with a combination of charm, charisma, and a deadly fighting style. “This feels like a career's worth of roles all in one character.” In the series, Cho steps into the incredibly cool shoes of Spike Spiegel, an impossibly cool bounty hunter, more commonly known as a “cowboy,” with a deadly smile, a wry wit, and style to spare. “It’s been a dream job in the sense that the show is a mashup of so many genres,” he says. That’s exactly what drew John Cho to the project. Part western, part noir, and part sci-fi space odyssey, the live-action adaptation of the beloved anime series Cowboy Bebop isn’t easy to put in a box.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |